With an Armenian Soul on German Opera Stages – A Conversation with Ms. Aleksanyan

Liana Aleksanyan is an internationally acclaimed Armenian opera singer, who now lives and works in Düsseldorf. Her musical journey began in Armenia, where she received her training before taking the bold step to move to Germany in order to further develop her artistic career. With her warm, expressive voice and her intense stage presence, she captivates both audiences and critics alike in renowned opera houses in Germany and around the world. Strongly shaped by her Armenian identity, she brings a unique depth and emotional authenticity to every role she performs. “My Armenian identity is an inseparable part of me as an artist,” she says in conversation with Sirarpi Movsisyan.

Ms Aleksanyan, you grew up in Armenia and began your musical Training there. What inspired you to continue your opera career in Germany and what challenges have you faced along the way? I began my musical journey in Armenia, a country rich in cultural heritage and artistic

tradition. Music was always a part of my life — first through piano, then through singing. While Armenia gave me a strong foundation, I felt a deep desire to explore theworld of opera more fully. Germany, with its vibrant opera scene and respect for classical music, was a natural choice.

Of course, the path was not easy — adapting to a new culture, mastering the language, and proving myself artistically in a very competitive environment required perseverance and inner strength. But every challenge taught me something valuable and deepened my commitment to this art form.

You perform at renowned opera houses in Germany and around the world. What role does your Armenian identity play in your artistic work and how does it influence your interpretation of opera roles?

My Armenian identity is an inseparable part of who I am as an artist. It gives me emotional depth, a connection to storytelling, and an inner intensity that I bring into every role I perform.

Coming from a culture where music and poetry are so deeply valued, I often draw on those emotional roots — especially when interpreting roles that require a profound understanding of suffering, love, and sacrifice. Whether it’s Cio-Cio San, Tosca, or Tatiana, there is always a part of my Armenian soul in the interpretation.

German-Armenian cultural relations have grown in recent years. Do you see yourself as a cultural ambassador between the two countries? Are there any specific projects or collaborations that are particularly close to your heart?

Yes, I do feel a sense of responsibility — and also pride — in being a kind of cultural bridge between Armenia and Germany. I try to carry the spirit of Armenia with me on every stage I sing, while also embracing the artistic traditions of the countries I work in.

One of my greatest wishes is to see more collaboration between Armenian and German cultural institutions. I would love to be involved in projects that bring Armenian composers or stories to German audiences — or vice versa. For me, cultural Exchange is not just about representation, but about building understanding and emotional resonance between people.

How does the opera world in Germany differ from that in Armenia? Are there aspects of German opera culture that you particularly appreciate, or elements of the Armenian musical tradition that you would like to see more represented in Germany?

Germany has a uniquely rich operatic infrastructure — from the large state theaters to smaller regional houses. There is a deep appreciation for classical music in society, and opera is supported institutionally in a way that allows artists to grow and experiment.

In Armenia, while the operatic tradition is strong, the resources are more limited. But the emotional sincerity and natural musicality of Armenian performers are truly exceptional. I would love to see more Armenian repertoire or influences — whether through guest performances, concerts, or collaborations — represented in Germany. Armenian music has so much beauty to offer.

What advice would you give to young Armenian singers aspiring to an international career? What are the most important lessons you have learned on your own journey?

Believe in yourself — but also be ready to work hard, stay humble, and keep learning. The opera world demands not just talent, but discipline, resilience, and patience. Don’t be afraid to leave your comfort zone. Explore, take risks, and be open to learning from every culture and experience. At the same time, never forget where you come from. Your roots will always give you strength and authenticity.

One of the greatest lessons I’ve learned is that success is not linear. There are ups and downs, but what matters is staying true to your voice — both musically and personally.

The interview was conducted by Sirarpi Movsisyan.